8/14/2023 0 Comments House of cards theme songThis symphonic work was recorded by BIS Records on the double SACD “House of Cards Symphony”, which includes Beal’s flute and guitar concerti.īeal has since conducted The Los Angeles Chamber Orchestra in his original score for Keaton’s silent film THE GENERAL, The Hollywood Chamber Orchestra for the premiere of BLACKFISH live-to-picture, The Henry Mancini Institute orchestra with his score for Stephen King’s BATTLEGROUND, and the Boston Symphony Orchestra for the film score of BOSTON, as well as the Boston Pops Esplanade for the live-to-picture premiere of BOSTON.ĭiagnosed with Multiple Sclerosis in 2007, Beal credits his current remission to listening and creating music, as well as healthful nutrition, cardiovascular exercise and meditation. Clair), Frankfurt, Munich, Berkeley (Kent Nagano) and Detroit (Neeme Jaarvi.)īeal’s performing, conducting, and composing worlds converged in 2016 when he led the National Symphony Orchestra at the Kennedy Center in the premiere of HOUSE OF CARDS in CONCERT, with further performances in Miami, Denmark, The Netherlands and Jerusalem. His concerti and symphonic works have been performed by many leading orchestras and conductors, including St. His choral commission, “The Salvage Men”, written for the Los Angeles Master Chorale and Eric Whitaker Singers, has also been performed by Chicago’s Apollo Chorus. Other recent commissions include the ballet “Oasis” for Smuin Ballet, works for the Metropole Orchestra, Ying String Quartet, World Science Festival, and a concerto for Grammy-winning guitarist Jason Vieaux. Recent premieres including his Flute Concerto for Sharon Bezaly and the Minnesota Symphony Orchestra, “The Fire Brand and The First Lady” for the Brooklyn Youth Chorus at BAM, “Beneath Thin Blanket” for Cantus, and Oregon Ballet Theatre’s “Terra”, choreographed by Helen Pickett. Munrau’s silent film) for Grant Gershon and The Los Angeles Master Chorale, “Moss #5” for Jaqueline Bulgasi Dance, and “The Great Circle” for The New West Symphony. Louis Symphony Orchestra and soprano Hila Plitmann, “Sunrise” (a contemporary score for F.W. His recent commissioned works include “The Paper-Lined Shack” for Leonard Slatkin, the St. His recent film projects include the documentary THE BIGGEST LITTLE FARM & BREAKING NEWS IN YUBA COUNTY.īeal has continued to compose concert music throughout his film career. His dramatic scoring credits include HBO’s ROME, CARNIVÀLE, THE NEWSROOM, USA’s MONK and Netflix HOUSE OF CARDS. “This process allows me to envision a world where anything can happen.”Ī five-time EMMY® winner, Beal’s improvisatory method, sense of timing and sophistication have made him a favorite of directors including Ed Harris (POLLOCK and APPALOOSA), David Fincher (HOUSE OF CARDS), Oliver Stone (JFK REVISITED, THE PUTIN INTERVIEWS), and Lauren Greenfeld (THE QUEEN OF VERSAILLES, GENERATION WEALTH.) Documentarians also appreciate this flexibility, and he has scored many, including BLACKFISH, THE PRICE OF EVERYTHING, WEINER, Al Gore’s AN INCONVENIENT SEQUEL, THE BLEEDING EDGE and BOSTON. An accomplished and recorded jazz musician, Beal uses his improvisational skills to read the emotional tone of a scene. Beal composes, orchestrates, conducts, mixes and often performs on his own scores – no other artist’s brush strokes touch his canvas. It’s no coincidence that Jeff Beal’s music began to garner notice with the acclaimed film POLLOCK (2000).
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